Showing posts tagged photojournalism
Stan Stearns dies; captured immortal image at JFK’s funeral
“One exposure on a roll of 36 exposures,” Stan Stearns marveled decades later. The young news photographer, in one instinctive click, captured one of the most poignant and reproduced images of the past half-century: little John F. Kennedy Jr., grief-stricken, saluting his father’s coffin as it rolled by on a caisson. (WaPo)
A bizarre story behind the photo

Stan Stearns dies; captured immortal image at JFK’s funeral

“One exposure on a roll of 36 exposures,” Stan Stearns marveled decades later. The young news photographer, in one instinctive click, captured one of the most poignant and reproduced images of the past half-century: little John F. Kennedy Jr., grief-stricken, saluting his father’s coffin as it rolled by on a caisson. (WaPo)

A bizarre story behind the photo

Breathtaking But Fake

Leading today’s Washington Post print edition (you remember those, don’t you?) is this beautiful photo by Bill O’Leary of the 14th Street bridge, accompanying coverage of the 30th anniversary of the Air Florida disaster. But competing for interest with the image itself is the lengthy explanation in the caption that what you see isn’t entirely real: 

A jetliner flies high over a tranquil scene at the 14th Street bridge, where 30 years ago winter weather and human error conspired to bring down Air Florida Flight 90 in a disaster that claimed 78 lives. This image is a composite created by taking several photos and combining them with computer software to transcend the visual limitations of standard photography.

It’s not exactly moving the pyramids, and the disclosure is front and center, but does it bother you that this is going on in the mainstream press?

Mean, indeed

austinstatesman:

Photos by Rodolfo Gonzalez, Jay Janner, Ricardo B. Brazziell AMERICAN-STATESMAN and Terry Hagerty BASTROP ADVERTISER

Fire crews continue to battle several fires across Central Texas Tuesday. Winds are expected to be lighter today, but low humidity could help flames spread quickly, forecasters say. There is no chance of rain.

(Reblogged from elizs)

GALLERY: Japanese photojournalist Ryuichi Hirokawa has chronicled the aftermath of the disasters that rocked Japan in March. (via NPR)

Residents of tornado-stricken Joplin, Missouri leave a note for rescue workers. Photo Credit: Adam Wisneski / Tulsa World via AP via MSNBC 

(Reblogged from thepoliticalnotebook)

Soon the dog days

Elliott Erwitt’s very own personal best at TIME Lightbox

(The most interesting one is the one that is the next one, I hope. -Elliott)

(Reblogged from nagyitas)
National Geographic’s May issue shows the impact of flooding in a densely populated, low-lying country barraged by seasonal monsoons and cyclones, and situated in the Ganges Delta — the world’s largest delta.
Bangladesh: A Present-Day Water World : The Picture Show : NPR
(Photo: Jonas Bendiksen/National Geographic)

National Geographic’s May issue shows the impact of flooding in a densely populated, low-lying country barraged by seasonal monsoons and cyclones, and situated in the Ganges Delta — the world’s largest delta.

Bangladesh: A Present-Day Water World : The Picture Show : NPR

(Photo: Jonas Bendiksen/National Geographic)

1960 Democratic National Convention in Los Angeles
(Garry Winogrand)

1960 Democratic National Convention in Los Angeles

(Garry Winogrand)

(Reblogged from fuckyeahphotojournalism)
(Reblogged from cjchivers)
On Wednesday, Chris Hondros, a photojournalist for Getty Images, was killed along with Tim Hetherington, co-director of the Academy Award nominated documentary Restrepo, in the city of Misrata while covering battles between rebels and Libyan government forces.
On a January evening in 2005, while on patrol with U.S. troops in the  northwestern Iraqi town of Tal Afar, Hondros captured this memorable image of a  little girl, covered in the blood of her dead parents.
“We share a huge visual memory bank, mostly through painting and other  images in history,” he said. “I think when a modern photograph taps into  those, sometimes very subliminally, it makes people respond.” (Watch a slideshow narrated by Hondros in 2007, via NPR)
A Photojournalist Remembered
The Toll Of Covering Conflict

On Wednesday, Chris Hondros, a photojournalist for Getty Images, was killed along with Tim Hetherington, co-director of the Academy Award nominated documentary Restrepo, in the city of Misrata while covering battles between rebels and Libyan government forces.

On a January evening in 2005, while on patrol with U.S. troops in the northwestern Iraqi town of Tal Afar, Hondros captured this memorable image of a little girl, covered in the blood of her dead parents.

“We share a huge visual memory bank, mostly through painting and other images in history,” he said. “I think when a modern photograph taps into those, sometimes very subliminally, it makes people respond.” (Watch a slideshow narrated by Hondros in 2007, via NPR)

A Photojournalist Remembered

The Toll Of Covering Conflict

Japan And Haiti: Picturing The Unimaginable

Though their respective tragedies are half a world apart, the stories these pictures tell of destruction and loss are eerily similar.

Photos by NPR’s David Gilkey

(Reblogged from washingtonpostinnovations)
“How do you make a picture of something that’s basically nonexistent?”
A Room Without A View: NPR Photographer Frames Japan’s Wreckage

“How do you make a picture of something that’s basically nonexistent?”

A Room Without A View: NPR Photographer Frames Japan’s Wreckage

An official in a radiation protection suit scans an evacuated woman and her dog with a geiger counter in Koriyama city in Fukushima prefecture March 16, 2011. (Ken Shimizu/AFP/Getty Images from The Big Picture - Boston.com)

life:

Journalists including New York Times photographers Lynsey Addario (far left) and Tyler Hicks (right in glasses) run for cover during a bombing near Ras Lanuf on March 11, 2011. Four NYT correspondents in Libya are missing.

Libya: Photos From The Front Lines

(Reblogged from life)